C Major Scale

These files will guide you when practicing Exercises 1 (all down picks) and Exercise 2 (all up picks).  "BPM" stands for "Beats Per Minute", and refers to how fast the scale is played.  The lower that number is, the slower the exercise played.  Start with 60 bpm, and practice both exercises until you can play them without any mistakes and in perfect time with the audio file.  When you are able to do that, then move to the 80 bpm file and try the same thing with that.  Unless otherwise noted, I recorded these scales counting 4 beats before you will start playing.

These files will guide you when practicing Exercise #3, when you alternate down-up picking.  Try 60 bpm first and, when you can do that in perfect time with the audio file, try 80 bpm.

Are the second and sixth notes of the first half of this scale, giving you a little trouble?  That might be because, when you did the first half of exercise one, your hand traveled from the G string, to the D string, to the A string, and then the E string - always moving downward and getting closer to the floor as you went up the scale.  On this exercise, since you are alternating your pick direction, your pick is moving upward on the second and sixth notes, while your hand is moving downward (closer to the floor).  You just need to make sure that you move your hand a little more - so that it gets below the A string before you play the second note, and below the E string before you play the sixth note.

C Scale   60 bpm C Scale   80 bpm C Scale  100 bpm

These files will guide you when practicing Exercise #4.  Here you will alternate up and down picks, but your right hand is moving at a faster speed because you are playing eighth notes rather than quarter notes.

C Scale Eighth notes   60 bpm C Scale Eighth notes   80 bpm C Scale Eighth notes  100 bpm

These files will help you with Exercise #5, which is the most difficult in terms of picking.   Concentrate on using the correct pick direction - if you do it correctly, at the end of every measure, the last note should be an up-pick.  Up-picking may not feel natural to you but, if you can learn to emphasize the first note of each triplet while up-picking, you will be able to play a much wider range of music that someone who can only do it while down-picking.  This ability is especially important if you want to play Celtic or Classical music.

C Scale Triplets  60 bpm C Scale Triplets  80 bpm

These files will help you with Exercise #6, which is called an arpeggio.  This exercise identifies the notes from the C major scale that would be used to play a C chord, and helps reinforce in your mind, their relationship to each other.

C Scale Arpeggio   60 bpm C Scale Arpeggio   80 bpm C Scale Arpeggio  100 bpm

These files will help you with Exercise #7, which is designed to help reinforce in your mind, the relationship of one note to another as well as present some challenges with pick direction.  Note that each triplet is a mini-scale - you play the first three notes of the scale, then back up one note and play the second, third and fourth notes of the scale.   Then you back up one note and play the third, fourth and fifth notes of the scale, and so on.

C Scale Triplet Progression   60 bpm C Scale Triplet Progression   80 bpm C Scale Triplet Progression  100 bpm

At first, concentrate on getting the notes right on this one - don't worry so much about pick direction until you can play the notes perfectly.  When you can do that, then work on the pick direction.  If you do it right, you should finish with an up-pick at the end of each measure.